Gabriele Münter Expresionista y salvadora del movimiento Blaue Reiter TrianartsTrianarts
Gabriele Münter was born in an era of new possibilities for women, yet in Germany there was still resistance to women artists. Ineligible for the Art Academy in Düsseldorf, she enrolled instead at the Painting School for Women in 1897. In 1902, she transferred to the more progressive Phalanx School, where she studied with the Russian artist.
Gabriele Münter Krank, 1917 Producción artística, Artistas, Expresionismo
Gabriele Münter was one of the few women who played a part in the development of German Expressionism. As student, collaborator and partner of Wassily Kandinsky during the years leading up to the First World War, she was actively involved in various Munich art movements such as Der Blaue Reiter (The Blue Rider).
Gabriele Münter, Portrait of Marianne von Werefkin, 1909 Peinture expressionniste, Les arts
Durante la Segunda Guerra Mundial, Gabriele Münter escondió más de 80 obras de Kandinsky y otros miembros de Der Blaue Reiter, además de obras propias, salvándolas de la destrucción. 5 Estas pinturas las regaló en 1957 a la ciudad de Múnich, donde ahora son exhibidas en la Lenbachhaus, célebre museo alemán. Su casa en un es hoy en día un museo.
Retratos extraordinarios Gabriele Münter, la heroína del expresionismo alemán El ojo del arte
Gabriele Münter: Obras - Todas las Obras por fecha 1→10. Obras. Estilos. Género. Media. 1-20 de 51 CARGAR MÁS. List of all 51 obras de arte by Gabriele Münter.
Gabriele Münter Paisaje de Estocolmo, 1916, 45×58 cm Descripción de la obra Arthive
Gabriele Münter (1877-1962) was much more than just "the woman by Kandinsky's side". Thanks to exhibitions and publications on her oeuvre, especially throughout the past two decades, she has earned wide recognition as one of the leading protagonists of the German avant-garde. Now, the Leopold Museum is the first institution in Austria.
Reproducción de una obra de la pintora Gabriele Münter llamada La Granja en la Colina. Realizada
Gabriele Münter quoted in Annegret Hobert, Wassily Kandinsky and Gabriele Münter: Letters and Reminiscences 1902-1914 (Munich and New York: Prestel, 1994), 54. Münter quoted in Hobert, Wassily Kandinsky and Gabriele Münter, 45-46. On Münter's collection of Bavarian folk art and its importance to her work, see "Primitivism: Searching for the roots of creativity," in Isabelle Jansen.
Gabriele Münter Painting, Gabriele münter, Art painting
German Painter and Printmaker Born: February 19, 1877 - Berlin, Germany Died: May 19, 1962 - Murnau, Germany Movements and Styles: Expressionism , Der Blaue Reiter Gabriele Münter Summary Accomplishments Important Art Biography Influences and Connections Useful Resources Similar Art and Related Pages
Gabriele Münter 'Olympiastrasse' 1936 Gabriele münter, Expressionist painting, Art painting
Gabriele Münter. Breakfast of the Birds exemplifies Gabriele Münter's expressionist style: thick, rapid brushstrokes, heavy, dark outlines, simplified forms, and compressed space. In the painting, a woman, sits indoors at a table arrayed with a meal. We share her view of snowcapped trees and a host of birds through the window.
Selfportrait Münter, Gabriele. Museo Nacional ThyssenBornemisza
She died on May 19, 1962 in Murnau am Staffelsee, Germany. Today, the artist's works are held in the collections of the National Museum of Women in the Arts in Washington, D.C., the Milwaukee Art Museum, the Lenbach House in Munich, and The Museum of Modern Art in New York, among others. Paintings (765) Works on paper (241)
Gabriele Münter (German; Expressionism, Der Blaue Reiter; 18771962) Sunset over Staffelsee
Gabriele Münter. Münter was born in Berlin to upper-middle-class Protestant parents. Despite being raised in a family and country that discouraged women from a career in the arts, Münter eventually attended Munich's progressive new Phalanx School, where she studied sculpture and woodcut techniques. In 1902, Münter began a 12-year.
Das Gelbe Haus. GABRIELE MÜNTER (1877 1962) was a dedicatedGerman expressionist painter who
Gabriele Münter fue una de las pocas figuras femeninas vinculadas al desarrollo del expresionismo alemán. Alumna, colaboradora y compañera sentimental de Wassily Kandinsky durante los años previos a la Primera Guerra Mundial, participó activamente en diversos movimientos artísticos muniqueses como Der Blaue Reiter (El Jinete Azul).
Pintura Gabriele Munter Art painting, German art, Artist
Although her love affair with Wassily Kandinsky from 1902 to 1914 partly eclipsed her artistic personality, Gabriele Münter played a key role in the development of German Expressionism of the early 1900s.
Gabriele Münter e suas pinturas Pintor expressionista alemão Pinturas do AUwe
Durante la Segunda Guerra Mundial, Gabriele Münter escondió más de 80 obras de Kandinsky y otros miembros de Der Blaue Reiter, además de obras propias, salvándolas de la destrucción. Estas pinturas se las regaló en 1957 a la ciudad de Múnich, donde ahora son exhibidas en la Lenbachhaus, célebre museo alemán.
Gabriele Münter Child with Teddy Bear [1921] Famous artists paintings, Gabriele münter
Gabriele Münter (Berlim, 19 de fevereiro de 1877 - Murnau am Staffelsee, 19 de maio de 1962) foi uma pintora alemã do expressionismo, fotógrafa e salvadora das pinturas do movimento Blaue Reiter durante a Segunda Guerra Mundial.
Arte! Gabriele Münter, a German expressionist Gabriele münter, Art, German expressionist
Gabriele Münter he died in 1962 leaving behind one of the most extensive collections of German expressionism.. Münter was a professional artist all her life, dedicated to advancing performance artistic thrillsl, actively painting for more than 60 years, and creating more than 2 thousand paintings, thousands of drawings and almost 200 photographs. . Many of Münter's works are still in.
Arte! Gabriele Münter, a German expressionist
Autorretrato - Münter, Gabriele. Museo Nacional Thyssen-Bornemisza. Aunque la relación sentimental que mantuvo con Wassily Kandinsky de 1902 a 1914 eclipsó en parte su personalidad artística, Gabriele Münter desempeñó un papel fundamental en el desarrollo del expresionismo alemán de comienzos del siglo XX.